Ghost Stories (Nancy Drew)

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Wraps have wear and creases. Some markings inside.

Binding seems tight. Nancy Drew Ghost Stories 2; 6. Ships with Tracking Number! May not contain Access Codes or Supplements.

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Add to want list. Are you a frequent reader or book collector? Social responsibility Did you know that since , Biblio has used its profits to build 12 public libraries in rural villages of South America? A special order item has limited availability and the seller may source this title from another supplier. In this event, there may be a slight delay in shipping and possible variation in description.

Our Day return guarantee still applies. Bookseller Completion Rate This reflects the percentage of orders the seller has received and filled. Advanced Book Search Browse by Subject. Make an Offer. Find Rare Books Book Value. Sign up to receive offers and updates: Subscribe. Edna wrote plot outlines for several of the early books and Harriet, who claimed to be the sole author, had actually outlined and edited nearly all the volumes written by Benson. The Stratemeyer Syndicate had begun to make its writers sign contracts that prohibited them from claiming any credit for their works, but Benson never denied her writing books for the series.

After Harriet's death in , Simon and Schuster became the owners of the Stratemeyer Syndicate properties and in , publicly recognized Benson for her work at a Nancy Drew conference at her alma mater, the University of Iowa. Now, Nancy Drew has several ghostwriters and artists that have contributed to her more recent incarnations.

Nancy Drew Ghost Stories. Carolyn Keene. Furthermore, any new publishers chosen by Adams were completely within their rights to print new titles. Nancy Drew has been illustrated by many artists over the years, and her look constantly updated. Both the Stratemeyer Syndicate and the books' publishers have exercised control over the way Nancy is depicted. Some aspects of Nancy's portrayal have remained relatively constant through the decades.

Arguably her most characteristic physical depiction is that she is shown holding a flashlight. Commercial artist Russell H. Tandy was the first artist to illustrate Nancy Drew. Tandy was a fashion artist and infused Nancy with a contemporary fashion sensibility: her early style is that of a flatfoot flapper : heeled Mary Janes accompany her blue flapper skirt suit and cloche hat on three of the first four volume dust jackets.

As styles changed over the next few years, Nancy began to appear in glamorous frocks, with immaculately set hair, pearls, matching hats, gloves, and handbags.


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Tandy read each text before he began sketching, so his early covers were closely connected to specific scenes in the plots. He also hand-painted the cover lettering and designed the original Nancy Drew logo: a silhouette of Nancy bending slightly and looking at the ground through a quizzing glass. Tandy often portrays Nancy Drew with confident, assertive body language. She never appears "shocked, trepidatious, or scared". Tandy's home was struck by fire in , and most of his original paintings and sketches were destroyed.

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Nancy Drew ghost stories 2

As a result, the Tandy dust-jackets are considered very valuable by collectors. Beginning with Tandy in and continuing into the early s, Nancy's appearance was updated to follow the prevailing styles. In postwar opulence, a trend emerged for young adults to have their own casual style, instead of dressing in the same styles as more mature adults, and Nancy becomes less constrained.

Sweater or blouse and skirt ensembles, as well as a pageboy hairstyle, were introduced in , and continued with new artist Bill Gillies, who updated 10 covers and illustrated three new jackets from to Gillies also designed the modern-era trademark as a spine symbol which was used for decades: Nancy's head in profile, looking through a quizzing glass. The Ghost of Blackwood Hall shows an assertive Nancy leading more timid friends up the front steps of the haunted house, and marks a transition to later illustrations.

From forward, she is likely to be observing others, often hiding or concealing herself. She appears to be a bit taken aback by what she sees, but she looks as if she is still in control of the situation. Only occasionally is she shown in action, such as running from the scene of a fire, riding a horse, or actively sleuthing with a flashlight.

Nancy Drew ghost stories 2 - Carolyn Keene - كتب Google

At times she is only involved in action as her hiding place has been discovered by others. In most cases, more active scenes are used for the frontispiece, or in books after , illustrations throughout the text drawn by uncredited illustrators. Joseph Rudolf "Rudy" Nappi, the artist from to , illustrated a more average teenager. Nappi gave Nancy Peter Pan collars , shirtwaist dresses, a pageboy later a flip haircut, and the occasional pair of jeans.

Nancy's hair color was changed from blonde to strawberry-blonde, reddish-blonde, or titian by the end of the decade. The change was long rumored to have been the result of a printing ink error, but was considered so favorable that it was adopted in the text for books published after , and by illustrator Polly Bolian for volumes she created for a special book club in — The change was to reduce production costs.

Several of the s and s cover illustrations were updated by Nappi for this change, depicting a Nancy of the Kennedy era, though the stories themselves were not updated. Internal illustrations, which were dropped in , were returned to the books beginning in , as pen and ink line drawings, mostly by uncredited artists, but usually corresponding with Nappi's style of drawing Nancy on the covers. Unlike Tandy, Nappi did not read the books before illustrating them; instead, his wife read them and provided him with a brief plot summary before Nappi began painting.

This Nancy was perky, clean-cut, and extremely animated.

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Although she wears bold colors and prints, or the background colors are shades of electric yellow, shocking pink, turquoise, or apple green, her clothing is high-necked and with long hemlines. Earlier Nappi covers show Nancy in poses similar to those in the covers by Tandy and Gillies; for many updated covers he simply updated the color scheme, clothing style, and hairstyles of the characters but retains their original poses in similar settings.

Later Nappi covers show only Nancy's head or part of her body, surrounded by spooky or startling elements or clues from the story. These Nappi covers would later be used for the opening credits of the television production, with photos of Pamela Sue Martin inserted on the book covers. Often, "Nancy's face wears the blank expression of one lost in thought," [97] making her appear passive. Instead, Nancy is shown thinking about the clues"; [99] in general, Nancy becomes less confident and more puzzled.

Ruth Sanderson and Paul Frame provided cover art and interior illustrations for the first Nancy Drew paperbacks, published under the Wanderer imprint.


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Other artists, including Aleta Jenks and others whose names are unknown, [] provided cover art, but no interior illustrations, for later paperbacks. Nancy is portrayed as "a wealthy, privileged sleuth who looks pretty and alert The colors, and Nancy's facial features, are often so vivid that some of the covers look more like glossy photographs than paintings.

Nancy Drew Ghost Stories 2 - Book Review

Nancy is frequently portrayed pursuing a suspect, [98] examining a clue, or observing action. She is often also shown in peril: [] being chased, falling off a boat, or hanging by a rope from rafters.